What do you consider to be the most important ideas and concepts to impart to aspiring musicians? I think probably the best advice I could give is very boring – practice the fundamentals. A lot of people (myself included) neglect simple things like having good time, feeling comfortable in difficult keys (and minor keys), ear training, etc. too early in their development and move on to really complex concepts before the fundamentals are really in place. I definitely made that mistake and I now practice mostly quite basic things along those lines. Also, to me there seems to be a bit too much focus on harmony and not enough focus on phrasing and rhythm in Jazz education, maybe that’s just a personal thing. It’s difficult sometimes early on to see the timeline of your playing. The balance between getting the fundamentals together and also trying to find your own sound can be hard. I think most Jazz players now need to have very solid foundations to built on, maybe that wasn’t the case in the past for people like Ornette Coleman, who made his own rules. But nowadays it seems to be pretty hard to get anywhere without good reading, ability to play in different time signatures, ability to play modal tunes, etc. That’s not necessarily a good thing, but I think it is the way things are now. (via)]]>
- Post author:admin
- Post published:03/11/2017
- Post category:INTERVIEW / JAZZ / JAZZ PIANIST / PIANIST / PIANO / ROWAN HUDSON