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Edward Albee occasionally expressed exasperation at being forever identified as the author of Who’s Afraid of Virginia Woolf? “The play,” he wrote in a programme note to the 1996 Almeida production, “has hung about my neck like a shining medal of some sort.”
Albee’s protective attitude to his play stemmed in part, I suspect, from the fact that it is widely misunderstood. The searing Mike Nichols 1966 film, starring Elizabeth Taylor and Richard Burton, stamped it in the public mind as a liquor-fuelled marital slugfest. But the play, I am convinced, is as much about the state of the Union as about marriage.
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