George Balanchine is often quoted as saying, “Ballet is woman.” Though a simple statement, his ballets illustrate a deep love and appreciation of women. Even as his ballets age, audiences are drawn to the way he flawlessly highlighted the beauty of the females who interpret his steps. He is known to offer moments of such simplicity that all the audience can do is admire a ballerina’s beauty.
This is a topic I tackle with fellow Miami City Ballet dancer, Michael Sean Breeden, in this week’s installment of our new podcast, “Conversations on Dance”: why are women are not as prominent in the world of choreography? The professional ballet world tends to be more competitive for women. With most repertoire requiring larger numbers of women, men often find themselves with spare time which some often use to dabble in choreography. Perhaps this explains the larger number of men interested in creating dance.
But it seems to me that the real truth is starting a career in choreography is extremely difficult. Finding the time and opportunity to put your talent to the test is almost impossible. In order to create, a choreographer needs good, willing dancers, studio space, and a venue to showcase the work. A lot of things need to fall into place just for a first big break. That’s why it is often up to teachers or school/company directors, to offer the opportunity. Hopefully in the future this is something the field will work to cultivate.
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