One unique way Hardy approaches his characters is by drawing them to figure out how they should visually look, particularly characters that are fictional. He says:
One has to have a silhouette, you know? Say I’m playing Elton John. You know what he looks like. Playing Al Capone. You know what he looks like. But what about characters we’re making up from scratch, who you don’t know what they look like? You have to create a memorable silhouette for them, too.When I was at school I was told, “Tom, when you play the prince or the king, I want to fucking see a king walk onstage before you even open your mouth. What does that look like?” Do you do it literally, with a costume, or through physicality? How do you immediately see the king? Crown? Robes? I have to find an identifier, a silhouette which immediately radiates something for me. Remember, you won’t necessarily know by their clothes that they’re the king. You can walk on in a disheveled homeless man’s outfit, but there’s something about them that radiates a nobility, something that makes you go, “This person’s a king.”
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